S.B.T. 314

"There is always a twist," the art master said, as his black twinkling eyes stuck to mine like a sheet of new tar hugs the dirt, his fingers like talons dipped in vermillion and his smile tinkered with dali's moustache firing a crackling cracquelure allure, as if this entire world were made of porcelain figurines come to life, shedding the crusts of their bonelike finish and bursting forth in opalescent technicolor like magical orange moonblossoms in spring...

wait a minute, hold it right there

S.B.T. 313

last year in may, Paul Squires, the wonderful poet and keeper of gingatao, contacted me with an idea he had. he was very insistent, and tho there was a lot happening at the time, i was inspired to take a break and go with him on this collaborative project. it was his idea completely and totally. he wanted to trade lines back and forth and make a collaborative poem (which he called a 'coolaboration' ha ha), then he would record it and i would make a video animation. he wanted to see words playing on the screen, jumping, floating, bouncing etc. he wanted to see words dance, other than that distinct directive, he made no other demand, and as soon as he'd edited the writing and come up with the title "permeant"(which took a few weeks) i set to work. and in early june sent him the first draft. he was excited and wanted to go with it right away. but i wanted to trim, sync and perfect it. "ok" he said "take your time". it was a labor of love, i worked on it sporadically, but suddenly he was gone. and he never got to see it finished. and i couldnt look at it. and it was impossible to listen to. but recently i chanced upon the file, and it started calling me back to it and so i opened it and looked at it again and again, trimmed a bit, touched it up, and called it a day. i hope his friends enjoy seeing it and hearing his voice once again.

i am grateful for the opportunity that came as if on a silver platter, and i only wish i'd had a sense of urgency about it at the time, but as usual, in his way, his work and the things around him had a fantastic ability to take on more feeling and meaning over time. and we know that "time is not linear".

the unforgettable mr. paul squires

was magic, and dont we all know it in our hearts

S.B.T. 312

effects of environmental enrichment on stability

he is putting on his coat and i get this cold feeling

your movements are crisp and succinct, a quick jab at the collar

a dive for the zipper

seems like i see you always in three-quarter view

mt rushmore - the faces will have to move some time

some day

pinlights dash down the slopes of his hair

(creases spell something at the tail of the coat

'satchmo' and a drawing of a trumpet, but why?)

oh dont tell me, i know why

my eyes are magnets for lint and dust

i tell you its the same old thing

nothing changes

and then he pulls a red kerchief

out from his pocket and says "see this silver dollar?"

yes i see it, he flourishes it as a magician would do

we are taking it out tonight he says

we?

oui.

rolling hills oft heather-filled in a place so far away

in the distant south the evergreen pampas

one has sea shells and that one has tigers

S.B.T. 311

architectural romance

drumming fingers on the sideboard his thoughts r in other places

near and far he happend to remember

some exiled emotion propelling events toward a renegade hand of gin

rummy and some rum

she pulls the hose up taut and checks the mirror, fluffs the collar

the navy blue ensemble w/white blouse, tightens the belt.

the shoes she says to herself the ballet heels

predictably boring chart projections (sigh thumbing thru blue prints)

heels latched 2 the rung (keep the chair from rolling)

dribbling a list of numbers A list (this notebook has seen better days)

he drew a voice balloon inflated a mystical monk chanting and

filled it w/new jersey erudite curbside sayings (noone out of town gets)

with a friendly frown (pencil in hand)

in contemplation

they met for lunch across the street

he orders tonic checks his watch

"i want to get home early today...

but this is home everywhere is home she said

pulling out a page with a cartoon of woody allen (hoboken)

there's no place like home

S.B.T. 310

pyro maniac

music accompaniment

sweet wall of fire circle round a blackened pit
lined with rough stones that fall from the dirt
wild animals of a certain species scratch
with tips so sharp they glisten in the dark

dig and roll them out
out from soily hollows molded
omega arc of pearly claws pull
on mass massive mass, with
tips so sharp they glisten in the dark

crusted with mud and smooth as eggs
colored like caramel, with veins of chocolate
these rocks get hot , hot rocks shatter
hot rock bbbrings down the wall, with
tips so sharp they glisten in the dark

S.B.T. 309

lunar eclipse

what i didnt know opened up the show

in the middle act were the things i lacked

and the final scene was a poignant dream

of a man reposing who might be dozing

while the stars turn round to the lovely sound

of the impish moon singing tansen's tune

on the ides of june

S.B.T. 308

strength in numbers

1___2___3___

one love

4___5___6___

7___8___9___

10__11__12__

13__14__15__

16__17__18__

19__20__21__

22__23__24__

counts

25__26__27__

28__29__30__

31__32__33__

34__35__36__

37__38__39__

40__41__42__

43__44__45__

46__47__48__

for a hundred

49__50__51__

52__53__54__

55__56__57__

58__59__60__

61__62__63__

64__65__66__

67__68__69__

70__71__72__

73__74__75__

others who dont

76__77__78__

79__80__81__

82__83__84__

85__86__87__

88__89__90__

91__92__93__

94__95__96__

97__98__99__

100_ have any

so

exponentially

and multidimensionally

1000000000000000000000000000000000000000000000000000000000000000

and still counting

the voice reading is an appropriated excerpt from

a vimeo of robert kelly, poet xxx and can be found

here